From Italy
Courage - Interview with Umberto Gorirossi, young pharmacist from Naples who four years ago the artist. His works have a significant feature of "talking." A meeting to understand the characteristics of its work, how do and what they represent. Trying to understand even his personality, that of a firm and its strength, has a great interest in others.
To create his works the most inspiring images of the environment or fantasy? In fact, I am inspired mainly to my moods, stories of everyday concepts to the public domain and sometimes in real-life stories. Using
therefore also topics suggested by people, friends and acquaintances who want to see my artistic interpretation of their dilemma, doubt, argument, concept. Like a road show, to suggest a way forward or a solution I try to give through my work at least one council.
So rather than follow an 'inspiration, I follow a path made of hurdles to overcome. And I like that.
Sometimes I listen to music, to relax. It helps me for color choices. I prefer music classical piano. I also like jazz. think that Italy is a good place to live for an artist? I think the country is totally irrelevant. I firmly believe in individual quality and meritocracy. In any case I think Italy is a country where artistic talents have always been appreciated in the right measure. Perhaps today there are difficulties in Italy, but are due to a time of general crisis, rather than the condition of the country. When he was young, she dreamed of doing something "grown"?
I am a pharmacist, but as a child dreamed of being an architect. Any reason to study white paper became a brilliant arrangement of walls and doors, groped for an intelligent division of space. Eventually I found myself share the tasks of my soul according to a logical layout of my emotions. Through art I can really be myself.
you like writing?
I really like writing, I like to think, curious, intriguing, analyze, and explain. Using writing to accompany many of my works. Although some critics are opposed to this.
With the explanations that accompany my paintings I absolutely do not intend to restrain the emotions of others, but I intend to specify, clarify some aspects of the work. Perhaps trying to be better understood. He never studied
philosophy? I ask because some of his works you would say yes. The concepts expressed are always very deep, full of ideas and references to philosophy seem frequent
i. Thank
of this observation, I am grateful.
come from scientific studies, but philosophy has always fascinated me.
The thing that intrigues me most of the philosophers is their natural inclination to face more and reasoning for a purpose, to an end.
Trying to find a way trying to make the brain fascinates me. In my work I try to do the same, using the complement of the design.
Looking at his work I was struck by
choices and compromises . I then discovered that he has won a prize, in 2005, a turning point for her. Can you speak? Indeed
choices and compromises
(pictured below, note) was my second scene.
I was surprised myself when I stated that they had won a literary prize with a painting. In fact, it is as if someone had decided to say that my paintings speak. Since then communicate through the design has since been one of my basic needs, the purposes of a thought through graphics processing.
for me 2005 was the year when I started painting and at the same time, the year when I started become aware of my characteristics.
What do you want to tell the world with his works? I could
presumptuous replying to this question. I will just say that my way of seeing and of representing a thought, a concept I had shared and used by all.
think that art in the future will shift more and more on the web? I assume so. On the other hand what is happening to me is just proof that the web is certainly a medium that has revolutionized and continue to revolutionize everything.
The web has reduced the time. All publications, anthologies, literary prizes and rewards I have received have occurred so rapidly precisely because it can be noticed is exponential. In any case, a framework should be seen up close. The beauty of being lost and to share the thoughts of the artist before the work is absolutely invaluable to the web more and more to help reduce the time to become aware of the work of an artist.
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In retrospect, Umberto Gorirossi thanked me for the interview and I wrote one of the nicest compliments I've received. To avoid the risk of losing the recall here in my blog, as a spur to do better and also to express my gratitude. Interviewing is nice because allows you to learn and disseminate your findings. The greatest satisfaction is knowing that all your fears, the ones that take you to fill pages and pages of questions for fear that the interview was stupid or unfit for his case, were unfounded. successful interview, I think, is that the interviewee does not disappoint.
That gives him space, do not put in a position of having to correct or supplement and not to be advertised in doubt about what is not.
"I see you already got a lot to me.
I'm happy for the questions that gave me the chance to do an accurate picture.
If all journalists were like her ... there would be problems of poor communication. She has established a
empathic link with me and this has enabled her to make accurate and specific questions.
I am pleased to have had something to do with her. Thank you. "
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